Andrea del Verrocchio
Italian Early Renaissance Sculptor, ca.1435-1488 Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.

 

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Andrea del Verrocchio Madonna di Piazza oil painting   

Painting ID::  33235
Andrea del Verrocchio
Madonna di Piazza
mk83 after 1475 Oil on wood 189x191cm

   
   
     

 

 

Andrea del Verrocchio The Baptism of Christ oil painting   

Painting ID::  33396
Andrea del Verrocchio
The Baptism of Christ
mk86 c.1475 Tempera on wood 177x151cm Florence, Galleria degli Uffizi.

   
   
     

 

 

Andrea del Verrocchio Reiterportrat of Niccolo there Tolentino oil painting   

Painting ID::  38495
Andrea del Verrocchio
Reiterportrat of Niccolo there Tolentino
mk137 1456 Ubertragenes frescos 833x512cm II Duomo, Florence

   
   
     

 

 

Andrea del Verrocchio Halfte second women head oil painting   

Painting ID::  38508
Andrea del Verrocchio
Halfte second women head
mk137 the 15. century metal pencil feather and brush Weibhohungen 26.7x22.4cm muse you Louvre, Paris

   
   
     

 

 

Andrea del Verrocchio The Baptism of Christ oil painting   

Painting ID::  40228
Andrea del Verrocchio
The Baptism of Christ
mk156 c.1470 Oil on panel 177x151cm

   
   
     

 

 

Andrea del Verrocchio Equestrian Statue of Bartolomeo Colleoni oil painting   

Painting ID::  41224
Andrea del Verrocchio
Equestrian Statue of Bartolomeo Colleoni
mk157 1481-94

   
   
     

 

 

Andrea del Verrocchio Head of a Girl oil painting   

Painting ID::  51014
Andrea del Verrocchio
Head of a Girl
Drawing British Museum, London

   
   
     

 

 

Andrea del Verrocchio Tobias and the Angel oil painting   

Painting ID::  51772
Andrea del Verrocchio
Tobias and the Angel
nn09 c.1470-800 33x26in

   
   
     

 

 

Andrea del Verrocchio Christ-s baptism oil painting   

Painting ID::  53715
Andrea del Verrocchio
Christ-s baptism
mk234 about 1470 180x152cm

   
   
     

 

 

Andrea del Verrocchio Madonna with Sts John the Baptist and Donatus Cathedral of Pistoia oil painting   

Painting ID::  61446
Andrea del Verrocchio
Madonna with Sts John the Baptist and Donatus Cathedral of Pistoia
Madonna with Sts John the Baptist and Donatus (1475-83), Cathedral of Pistoia

   
   
     

 

 

Andrea del Verrocchio The Baptism of Christ, oil painting   

Painting ID::  61447
Andrea del Verrocchio
The Baptism of Christ,
The Baptism of Christ, 1474-1475, Verrocchio and Leonardo.

   
   
     

 

 

Andrea del Verrocchio Madonna with Child, oil painting   

Painting ID::  61448
Andrea del Verrocchio
Madonna with Child,
Madonna with Child, c. 1470, Verrocchios's workshop. New York, Metropolitan Museum of Art.

   
   
     

 

 

Andrea del Verrocchio Verrocchio oil painting   

Painting ID::  67640
Andrea del Verrocchio
Verrocchio
Year Deutsch: um 1475 English: c. 1475 Technique Oil on panel Dimensions Deutsch: 177 X 151 cm

   
   
     

 

 

Andrea del Verrocchio Baptism of Christ oil painting   

Painting ID::  72288
Andrea del Verrocchio
Baptism of Christ
from 1470(1470) until 1475(1475) Oil and tempera on panel cjr

   
   
     

 

 

Andrea del Verrocchio The Baptism of Christ oil painting   

Painting ID::  73430
Andrea del Verrocchio
The Baptism of Christ
ca. 1475(1475) Oil on panel 177 X 151 cm (69.68 X 59.45 in) cjr

   
   
     

 

 

Andrea del Verrocchio Baptism of Christ oil painting   

Painting ID::  73914
Andrea del Verrocchio
Baptism of Christ
Date from 1470(1470) until 1475(1475) Medium Oil and tempera on panel Dimensions Width: 152 cm (59.84 in). Height: 180 cm (70.87 in). cyf

   
   
     

 

 

Andrea del Verrocchio Baptism of Christ oil painting   

Painting ID::  75117
Andrea del Verrocchio
Baptism of Christ
Date ca. 1475(1475) Medium Oil on panel Dimensions 177 X 151 cm (69.68 X 59.45 in) cyf

   
   
     

 

 

Andrea del Verrocchio Tobias und der Engel oil painting   

Painting ID::  75306
Andrea del Verrocchio
Tobias und der Engel
1470 - 1475 Oil on panel 84 X 66 cm cjr

   
   
     

 

 

Andrea del Verrocchio Tobias und der Engel oil painting   

Painting ID::  77164
Andrea del Verrocchio
Tobias und der Engel
Date 1470 - 1475 Medium Oil on panel Dimensions Deutsch: 84 ?? 66 cm cyf

   
   
     

 

 

Andrea del Verrocchio The Baptism of Christ oil painting   

Painting ID::  81516
Andrea del Verrocchio
The Baptism of Christ
Oil on wood, 177 x 151 cm Date between 1472(1472) and 1475 cjr

   
   
     

 

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Andrea del Verrocchio
Italian Early Renaissance Sculptor, ca.1435-1488 Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.