BASTIANI, Lazzaro
Italian painter, Venetian school (b. 1449, Venezia, d. 1512, Venezia) Italian painter. He is first recorded in 1449, as a painter in Venice and in 1460 he was paid for an altarpiece in S Samuele there. Although no extant work is securely documented, several are signed and two are dated. The influence of Andrea del Castagno is clear in his early works, of the 1460s: the signed mosaic of St Sergius (Venice, S Marco), the Archangel Gabriel (Padua, Mus. Civ.) and the signed Piet? (Venice, S Antonino). Also assigned to this period are the Adoration of the Magi (New York, Frick), the polyptych of St Francis (Matera, S Francesco), the St Jerome.

 

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BASTIANI, Lazzaro The Relic of the Holy Cross is offered to the Scuola di S. Giovanni Evangelista oil painting   

Painting ID::  4979
BASTIANI, Lazzaro
The Relic of the Holy Cross is offered to the Scuola di S. Giovanni Evangelista
c. 1494 Tempera on canvas, 319 x 438 cm Gallerie dell'Accademia, Venice

   
   
     

 

 

BASTIANI, Lazzaro The Adoration of the magi oil painting   

Painting ID::  31721
BASTIANI, Lazzaro
The Adoration of the magi
mk76 Painted probably between 1470 and 1480 Tempera on panel 20 1/2x11in

   
   
     

 

 

BASTIANI, Lazzaro Adoration of the Magi oil painting   

Painting ID::  38172
BASTIANI, Lazzaro
Adoration of the Magi
mk29 c.1470s Tempera on poplar panel 52x28cm

   
   
     

 

 

BASTIANI, Lazzaro Doge Francesco Foscari oil painting   

Painting ID::  41114
BASTIANI, Lazzaro
Doge Francesco Foscari
mk157 2nd half of the 15th century museo correr venice

   
   
     

 

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BASTIANI, Lazzaro
Italian painter, Venetian school (b. 1449, Venezia, d. 1512, Venezia) Italian painter. He is first recorded in 1449, as a painter in Venice and in 1460 he was paid for an altarpiece in S Samuele there. Although no extant work is securely documented, several are signed and two are dated. The influence of Andrea del Castagno is clear in his early works, of the 1460s: the signed mosaic of St Sergius (Venice, S Marco), the Archangel Gabriel (Padua, Mus. Civ.) and the signed Piet? (Venice, S Antonino). Also assigned to this period are the Adoration of the Magi (New York, Frick), the polyptych of St Francis (Matera, S Francesco), the St Jerome.